This year, I began Boston University’s online program for a Doctor of Musical Arts in Music Education. This came as a result of our move to Virginia for my wife’s position as an Assistant Professor of Mechanical & Aerospace Engineering at the University of Virginia. I previously taught for 5 years at Centennial High School in Ankeny, Iowa and 3 years at West High School in Waterloo, Iowa. I hold a Bachelors of Music Education from Iowa State University and a Masters of Music Education from VanderCook College of Music. When we first moved to Virginia in June, there were not any music education positions near the Charlottesville area. The University of Virginia was not able to offer me any positions due to my not holding a doctoral degree. I began thinking, what else would I like to do besides teach high school band? I think I would like to work with future music educators.
Boston’s program involves two years of coursework, a one-week residency, and a dissertation. Each semester is divided up into two 7-week terms. The suggested sequence for my cohort is as follows:
Fall I 2018: Foundations of Music Education I: Philosophy & History
Fall II 2018: Introduction to Music Education Research
Spring I 2019: Foundations of Music Education II: Sociology & Psychology
Spring II 2019: Elective
Summer I 2019: Elective
Summer II 2019: Analytical Techniques (Music Theory)
Fall I & II 2019: Problems, Theories, and Literature: Making a Contribution to the Field
Spring I 2020: Quantitative Research Methods in Music Education
Spring II 2020: Qualitative Research Methods in Music Education
Summer I 2020: Elective
Summer II 2020: Elective
Fall I 2020: Residency
Fall II 2020: Dissertation
Two of the four electives have to be in Music Theory or Musicology, and there is a rotation of courses. For example, in Spring II 2019, they are offering Advocacy & Policy and Community Music Perspectives. For Summer I 2019, they are offering Introduction to Music Technology, American Music, and Jazz & Popular Arranging. Course descriptions are available on the program’s website.
For our qualifying examination, we develop a 5000-8000 word research prospectus after our one-week residency, similar (I believe) to our research proposal from Unit 2 of Introduction to Music Education Research. From the Graduate Student Handbook:
The major purpose of the residency is to review and reinforce key aspects of reading and writing research. Students leave the residency with the rubrics used to evaluate the examination. When a student submits the Qualifying Exam, two faculty members will grade it using the rubrics. If the exam is passed, the student is assigned to a dissertation supervisor. (pp. 13-14).
The language is unclear in the Graduate Student Handbook, but the BU Bulletin makes it appear that we also take qualifying exams in music theory and musicology.
When I first entered the program, my research interest was in effective practice (think Hattie or Marzano) in large ensembles. As my learning progressed through the Philosophy & History course, reading Timeless Learning, and conversations with progressive educators like Nick Covington and the Human Restoration Project, I am more interested in researching the intersection of music education and maker-centered learning, as I wrote about in my research proposal for the Introduction to Music Education Research course. I am excited to look in to how schools like Albemarle Tech and Albemarle Labs incorporate music into their maker experiences. I am also curious about projects like Building Beats and the NYU Music Experience Design Lab as external maker spaces.
After a successful defense of my dissertation, I will receive a Doctor of Musical Arts degree. Why a DMA instead of a Doctor of Philosophy? Here was the explanation we got in Week 2 of our Philosophy & History course:
The PhD, or Doctor of Philosophy degree is the traditional academic doctoral degree, usually intended to be theoretical in nature. It is often distinguished from "professional" doctorates such as the Ed.D. (doctor of education), M.D. (doctor of medicine), or, in music, the D.M.A. (doctor of musical arts), which is supposed to represent of blend of theory and practice. [Boston University's DMA in music education is something of a hybrid; it is largely indistinguishable from a PhD in content, but the College of Fine Arts at BU is not authorized to grant PhD degrees.] In practice, there are PhD degrees that are more "practical" or professional in nature and professional degrees that are more theoretical in nature.